This is more of a pictorial article! I was in Ginza a few days ago and whilst I was navigating my way through Ginza subway station I almost accidentally strayed into Tokyu Plaza department store. Like so many of Tokyo’s department stores and malls, Tokyu Plaza has several direct exits to the underground public transport system. On my way to the Marounochi line I saw one of the exits for Tokyu Plaza and went in; was charmed by the food places and restaurants in the basement levels and decide to explore the store further. And this is how I ended up walking around the Hands Expo Culture Mall for almost an hour, admiring arts, crafts and foods from all over Japan.
Tag Archives: local art & design
One of the highlights of this autumn’s Tokyo trip was the visit to Tokyo Design Week 2016. TDW is one of the biggest and most important design shows in Asia; it takes place each year in Tokyo’s Meiji Jingu-mae park in late October (this year, TDW took place from 26th October to 7th November) and it is – quite simply – fabulous.
Product design, robotics, arts and crafts, architecture, interior design, intelligent fabrics – off-beat, ingenious, weird, innovative logical and sometimes completely bizarre design ideas; from young creators and world-famous designers and architects, design school graduates from across Asia; big international exhibitors and niche companies. It makes the brain sparkle.
This was my third visit to TDW (here are my show reviews of TDW 2014 and TDW 2015) and in 2016, my personal favourites included a pair of robot carp, a stylish boutique skin care brand from Taiwan, an Ukiyo-e juke box and two dozen juice mixers that played “Twinkle Twinkle Little Star” with different sounds. Click on the link for more pics of my favourite TDW 2016 exhibits!
I just returned from a weekend in Helsinki. It was my first visit to Finland and I had a great time: went to a couple of museums, took a day trip to Tallinn (capital of Estonia) and spent many hours in various stores and supermarkets checking out beauty brands and products. Stay tuned for more articles about retail and art in Helsinki/Tallinn! The first installment is a bit off-topic: whilst waiting at Helsinki-Vantaa airport for my return flight to Berlin, I came across a Moomin Museum pop-up exhibition.
DMY is back in town! Last weekend, the 14th DMY International Design Festival took place here in Berlin. And DMY’s core event – the big design exhibition – returned to Kraftwerk Mitte in Köpenicker Straße. Kraftwerk Mitte is an old power station which hosts various events and exhibitions and is also the location of famous techno club Tresor. If you are interested, here are my articles about DMY 2015 and DMY 2014.
For 2016, DMY’s organizers had decided on the festival motto of “Odyssey 2016”: the boundaries between the different design and art disciplines are becoming increasingly blurry; they are starting to fluctuate– between digital and analogue, online and offline; between architecture and social movements. And yes, there might be a loss of orientation (this is where the Odysseus reference comes in) but it is precisely this lack of definition which makes the journey so exciting.
And this is exactly what I felt when I walked around the exhibition halls: so many cross-boundary design concepts and materials; innovative ideas which could have come straight from a Sci Fi or Cyberpunk novel – it was quite exhilarating. Particularly the “Education” and “New Talents” sections!
I arrived in Taipei a few days ago and one of my first visits was to MasKingdom’s flagship in the city’s trendy Ximen area. I had written about this unique Taiwanese face mask manufacturer last November during my first visit to Taipei – you can read the post here.
[EDIT 29/04/2017: Unfortunately the store has closed down. Thanks to nn for the info!]
I did notice that MasKingdom masks are now appearing in a number of Asian online shops so it looks like the brand is doing very well. When I visited the store I was yet again struck by the beauty of MasKingdom’s Taiwanese Aboriginal mask series – probably the brand’s best-known range – and decided to buy a mask set.
From 24th October to 3rd November 2015, Tokyo Design Week celebrated its 30th anniversary with the biggest and most spectacular show ever. Granted, it was only my second time at Japan’s most important design trade show but the whole event was on a much bigger scale than in 2014, with a number of new exhibition sections. This year they also had a central festival/food tent which hosted live bands, DJ sets and other events. I was lucky enough to catch a gig by Japanese indie band Noodles and became a fan straight away.
Amongst my favourite shows this year was the Robot Inspired Exhibition (featuring famous android girl Asuna, a robot band and some seriously intriguing examples of 3D facial and motion capturing!). The Schools Exhibition – young designers from different Asian design institutes and universities – was also very worthwhile. And then there is Creative Life: the main TDW exhibition in which brands and companies from all over the world present their take on how we might live, communicate and interact in the future.
Up until a few years ago, my street was quite boring. It’s right in the middle of what used to be the governmental area of Eastern Berlin: the building I live in is surrounded by offices, ministries and embassies.
Including the North Korea embassy, by the way: if you’re ever in the neighbourhood check out their glass-covered information case at the entrance – very brightly coloured pictures of various Kims and happy-looking North Koreans and beautifully written communist propaganda (North Korea is the most prosperous place on earth, in case you didn’t know).
Anyway, over the last couple of years there’s been an influx of Internet start-ups, media agencies and galleries which is really brightening up the neighbourhood. Like Studio Picknick Berlin, an arts space which must have opened at some point this year; all of a sudden they were there! And they have the most beautiful exhibition on at the moment: The Aluminium Garden, a collaboration between artist Toshihiko Mitsuya and architectural firm June 14 Meye-Grohbrügge & Chermayef.